Run Dmc
DMC (Clear Vinyl)
Future archaeologists will discuss two periods in 1980s: before Run-DMC and after Run-DMC. It’s no exaggeration to say that the group changed the course of music in the ‘80s, bringing the old-school of rap into the new with one simple piece of flat, black plastic. Coming up in the rap world of the early 1980s under the wing of Kurtis Blow (group manager Russell Simmons managed Blow, and Run was, at one time, a DJ known as Son of Kurtis Blow) and Blow’s bassist and burgeoning super-producer Larry Smith, the trio – Joseph 'Run' Simmons, Darryl “DMC” McDaniels and Jason “Jam Master Jay” Mizell – learned from the best, but created their own path.
1983 was the year that they first broke out. With only an Oberheim DMX drum program and some cuts by Jay, “Sucker M.C.s (Krush-Groove 1)” was a shot across the bow to the slick, post-disco pocket rap had settled into. It was raw, pure swagger and it took both New Yorkers and music aficionados around the world by storm. The group’s sound, which was laid out muscularly on Run-DMC, had a harder approach than their peers, thanks to producer Larry Smith’s use of live musicians who laid down grooves but didn’t soften the edges.
Lyrically the group wasn’t just about brags either, with songs like Hard Times, It’s Like That and Wake Up (the first two were singles). Run’s and DMC’s overlapping tag-team approach to lyricism was powerful and immensely influential. Rock Box, another single and arguably the centerpiece of the album, was a nod to their hard edge, and a foreshadowing of their first worldwide smash, 1985’s King Of Rock. Jam Master Jay’s DJ work was stellar, knowing exactly when to jump in and put listeners’ ears in a headlock.
The album was the first rap full-length to achieve Gold status, and as fans know, the group was just getting started – their next two LPs would take them to even higher status in the music world, critically and sales-wise. But this is where it all started, and it’s a classic that still sounds fresh today as it did more than 30 years ago.
Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g SuperVinyl 33RPM LP is the definitive-sounding version of this groundbreaking work.
Delivery
We currently only deliver to the UK. Delivery costs are clearly provided at the checkout at the time of purchase. We offer free delivery when spending over £60 in one transaction.
| Royal Mail First Class (order value below £60) | £2.95 |
| Royal Mail First Class (order value above £60) | FREE |
To qualify for free delivery please expect all your items to be delivered in one package i.e if you have ordered a 'pre-order' item please expect to wait until all your items are available before any are delivered.
We send our packages via Royal Mail. While we endeavour to get your purchase to you as quickly as possible, once it has left our depot it is out of our hands and we cannot be held responsible for any packages arriving later than expected.
Packaging
All our items are packaged in good quality cardboard packaging which should prevent any damage during transit. Please kindly note that any clingfilm or shrink wrap around the item is not considered part of the product.
Returns
If you decide that a product is not suitable within 30 days of delivery, you can return it to us at your own cost for a replacement or refund. Returns must be unused and in their original, undamaged packaging. Return address information will be included with your purchase.
If a product is damaged please get in touch so we can resolve it quickly for you.
Refunds
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Refunds for returned items will be issued once the item has been received and checked.
Undelivered Packages
If a package is returned to us due to an incorrect address being supplied or because it was not collected from a local depot, an additional postage fee will be payable in order to resend. We will contact you to arrange this before anything is resent.